Has hip hop eventually lost its cutting edge?
It was about time witty people like Saul Williams raised their voices to combat a commercial, capitalistic hip hop that is only motivated by the greed of money.
Like the brilliant emcee dared to point it out, while many others would have remained silent on the subject, because of their own commercial interest, hip hop’s state of mind is first and foremost a rebellious state of mind.
Should we remind folks that hip hop was born to support black people’s fight against racial discrimination in the late 60’s, mainly because the US government’s mad housing policy had left loads of people homeless? In its essence, hip hop has never ever been advocating capitalism.
It has never praised big cars, nor did it take pride in dumb artist gold diggers with zero knowledge of what this musical genre is all about.
The truth is that the hip hop industry is run by a bunch of corrupt clowns whose one and only goal is to make “big chips”. Some of them would even walk on the dead for the same purpose.
When Nas claimed that hip hop was dead, he reached a certain amount of disapprobation from commercial hip hop listeners, who didn’t mind to tell the rapping genius to “get lost”, implying that he did is time and was too old to understand the current age of hip hop.
The music industry is corrupt, many artists in the business are all rotten. A bunch of suburban morons are trying to imitate a culture they have no idea about. A bunch of spoilt suburban girls are supporting commercial labels, thinking they are “hip hop” just because they dress hip hop and listen to some commercial driven©rap.
Violence is breaking out everywhere. Not so long ago a rapping battle in Detroit turned into a bloody crime area. People are blaming it on hip hop culture, as usual.
Each time the word hip hop is mentioned, loads of misundertandings occur.
So who is going to save hip hop culture?
Only the pure, the brave-hearted, the dedicated underground emcees, those who don’t deny hip hop’s African roots.
Take it how you wanna, but those words are inked from a hip hop dedicated rebel’s pen!
Copyright© by Isabelle Esling All Rights Reserved
Feel the groove with NWA member Arabian Prince
Maybe more hidden from the public’s eye, former NWA member Arabian Prince aka Professor X is nevertheless a very valuable emcee.
Let Arabian Prince introduce you into his world…his alias Professor X will teach you a dance lesson.
Something To Dance is a a very rhythmic track made of an inventive and rich musical background. It has the typical NWA flavor, yet it is an original composition of Arabian Prince’s own. With his instrumental knowledge, Arabian Prince handles his beats with an amazing dexterity, while the keyboards’ funky flavor will increase your thirst for a powerful dancefloor demonstration.
Panic Zone combines an astute use of oriental and electronic sounds, mixed up with scratches. The song is truly a pleasure for your ears. Arabian Prince’s dark voice gives the track its full “Panic Zone” dimension. He’s taking over with pride. Follow his crazy rhythm.
Electronic instrumental knowledge is compulsatory in NWA’s world. Arabian Prince knows how to do it. Syllables dance while your body evolves on the dancefloor. You can’t resist to this!
Curious to hear a little bit more from Arabian Prince?
The 2006 released Statix track will allow you to appreciate Arabian Prince’s full mastery of electronic beats. His dark, cosmic voice will certainly seduce you. Move along with him, let the music take entire possession of your universe.
Discover more about the talented artist here:
http://www.myspace.com/arabianprince
Copyright© by Isabelle Esling All Rights Reserved
An homage to Proof's prolific work on the Detroit scene
Deshaun Holton was deeply rooted with the Detroit scene. Eminem and D12 s overwhelming success, Proof always busy schedule never changed the man he was. Down to earth, heartfelt, true to his roots, Proof always kept his underground work with local artists active and worked hard towards getting Detroit hip hop on the map.
Deshaun Holton was the kind of person who would not let fame affect his behavior towards other people. He didn t feel too proud to talk to a former friend nor a fan who d cross his road in Detroit or anywhere else.
Within a decade and despite all his detractors might object against him, Big Proof has done more than many artists during their whole career.
1996:
Big Proof might not be as notorious as Tupac, his underground work resembles the hidden part of an iceberg: there is more to discover than you actually think. In fact, Proof s musical work goes back to 1996.
Working together with DJ Head (D12 s former DJ), the talented artist released a mixtape called the WEGO mixtape. 5ELA s Yester Years EP is also the fruit of a collaboration with Thyme and Mudd, who formed 5 ELA with Proof.
Deshaun Holton also had a special connection with the notorious Trick Trick and his Goon Sqwad group. The same year, another CD entitled From Death came out as the product of a common collaboration.
In 1996, Proof also released a Jay Dee produced song called Da Science.
1997
Proof concentrated on working with his D12 fellows on the D12 Underground EP, a remarkable piece of work that is characterized by a combination of astute, crazy, filthy rhymes and the frequent use of dark instrumentals such as the bass.
Here is an example of Proof s verbal dexterity within the D12 Underground EP:
You lack phat tactics, your thoughts are Dexitrim/Whipping my dick out on nuns if they say sex is sin.” (Proof)
1998
In 1998, Proof and his D12 fellows were actively working with Slim Shady on the Slim Shady EP.
On his already busy schedule, Deshaun Holton added some good quality work with hip hop dedicated artists of 5 ELA, Thyme and Mudd (Proof was also a member of the group named above). The trio gave birth to several underground jewels like The Album That Time Forgot and 5E Pt 3.
Proof and Bugz also united their lyrical efforts on deceased artist Bugz underground classic, These Streets EP. These Streets EP is, by the way, very popular in Detroit City.
1999 to 2000
The years that followed kept Proof very occupied. Eminem s overwhelming fame, the constant touring, kept Proof very active on the scene, as Eminem s hype man.
2001
Regarding D12, one could barely think of 2001 without thinking of the Devil s Night album. Major success followed with the release of the album.
During the same period, Detroit s Dirty Dozen released the Detroit What! Mixtape. Glory, fame and acclaim didn’t change Proof, who never ever neglected his local hip hop scene.
In 2001, Proof also combined some intense musical efforts with his long term friend Kevin Bailey, also known as Dogmatic.
Promatic originated from the combination of both artist s names: Proof plus Dogmatic equals Promatic. Both artists released the Promatic LP the same year.
2002
If you were already a Proof fan or listener in 2002, parts of his projects were available and downloadable on his former website, Big Proof Dot Com. One of those projects was the Electric Coolaid Acid EP.
2004
Sometimes, it feels so lonely at the top. Fame can alter the taste of simple pleasure and force you to do things that you like less, but that are requested by the music industry.
Deshaun sometimes felt like his entry into the mainstream sphere had left a sour aftertaste in his mind. In I Miss The Hip Hop Shop, a brilliant mixtape that includes many local Detroit collaborations and productions, Big Proof expressed how much he regretted the golden age of hip hop he experienced at Maurice Malone s Hip Hop Shop.
2005
Maturity comes with age and experience. From there you can look back at your mistakes and try to improve yourself. In Grown Man Shit Proof started squashing a bloody beef with his long term rival, acid rapper Esham. But Proof didn t limit his reconciliation attempt to words on a tape: his reconciliation with Esham actually happened at his last birtday party on October the 2nd, 2006.
In Grown Man Shit, Proof also puts some insignificant local haters in place and astutely ridicules them in a well written song, with loads of humor.
2006
In 2006, Proof released his Searching For Jerry Garcia LP, a CD that he had been working on for at least three years before its release. In Searching For Jerry Garcia, Proof reveals his incessant quest for real artistry, showing how much it is difficult to be a real artist, in all senses of the term.
The same year, Proof s Hand 2 Hand mixtape, a beautiful compilation of numerous Detroit talents also came out.
Before his tragic death, in March 2006, Proof did a last album, within 24 hours that is entitled Time A Tell. The album, that includes some collaborations with underground emcee Intrinzik hasn t been released yet.
During his whole career, Proof has been collaborating with numerous local Detroit talents. Among them, the notorious Trick Trick and his Goon Sqwad, Jay Dilla, Hash, Purple Gang, Woof Pac, 5 ELA, Dogmatic, Royce Da 5.9, Slum Village, Malaki The Most Hi, Twiztid of Psychopatic Records and many more.
On a national scale, Proof has also worked with numerous influent mainstream artists such as B Real of Cypress Hill, 50 Cent, Nate Dogg and Method Man.
Deshaun Holton s short life is the testimony of his true love for hip hop. A love nobody can erase from the face of the earth.
Copyright © 2007 by Isabelle Esling All Rights Reserved
